Relapse follows Drew, a musician chasing the idea of greatness. What starts as a run toward success turns into a collision with memory — old wounds, unfinished love, and a past he tried to outgrow. Each project is a chapter in that journey, unfolding across cities, sounds, and lives that orbit his own.

It begins in Steadfast City: an academic, art-soaked metropolis that raised him. En Amor is the calm before the storm — the innocence before the chaos. The city hums with potential, and Drew is ready to burn through all of it just to make something that lasts.

After graduation, he lands in West Rose — a coastal city where nights blur into mornings and creativity is currency. The Vault and Vault II capture that first spark: music that feels like sunlight and ambition stitched together. But by Less Is More and Vault III, the gold starts to tarnish. The romance fades, the pressure builds, and the mirror starts cracking.

Petty Tape and Vault V are therapy in disguise. Songs built from ego, heartbreak, and too much silence between texts. Vault V: Act II is the comedown — when the lights go out, and all that’s left is what you lost trying to win.

Vault VI opens on smoke and ash — the night Drew’s apartment burns down. Back in Steadfast, surrounded by the ghosts of what came before, he starts again. We Had Our Time becomes a love letter to the city that made him. He picks up part-time shifts at a record store, reconnects with old friends, and realizes that the next empire doesn’t need a label — it needs intention.

Vault IV marks that moment of rebirth. The music becomes sharper, the story more deliberate. Every sound, visual, and artifact from here on builds toward something bigger — a world where sound and story merge completely. This is where We Had Our Time begins to evolve into more than a name — it becomes a legacy.